Who knows, this whole thing might not have happened without the Fractale fiasco. Forgetting the American license holders, the Japanese copyright holders are an altogether different matter and nigh impossible to predict. Maybe with the exception of Ghibli (and some others I can't name) they seem to have a pretty schizophrenic attitude towards the foreign market: Wanting extra money yet being all paranoid at the same time. Any business wants extra money, but it's pretty hard to form a lasting relationship if you accept the money with the right hand yet at the same time stab with the left hand...