Winter 2024

3. Apothecary Diaries: A wonderful little dark horse. Who knew medical mysteries within the framework of an imperial court could be so interesting? Maomao was cute and deadpan, but not without any charm and humanity, and Jenshi made a good counter to her character. The only downside is that the show is somehow a bit too mundane sometimes such that the events can come off as inconsequential, and glossing over important plot elements can lead to confusion episodes later. The animation also began to strain in the 2nd cour, but that’s nitpicky. A very good watch and highly recommended.


2. Classroom of the Elite S3: Carried solely by the sociopath main lead, this remained more interesting than it had any right to be given how low stakes and how pedestrian the games were this season. That said, things did change (Class D expulsion) and waves are being made along with some good character development (also mostly class D), but most of it felt like setup for another season we may or may not get anytime soon.


1. Tomozaki S2: With how they handled the Fuuka arc, this has now cemented itself among my top ‘cynical romance’ anime that tend to focus more on the tangible foibles of romance, rather than the emotional side, along with SNAFU and Rascal does not blah blah. The reflection of Tomozaki’s own character, how it fits into the world around himself, and at what capacity he can realistically pursue a relationship is pure ASMR for me. Great arc, and really touching development… not even counting the first half of the season and its bullying/Tama remake arc. Great stuff all around, and I looked forward to this the most each week.


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Apparently, the IRS is offering a little tax break for some special awards this year. Don’t remember where I heard it, but that’s what we’re going with.


Undead Unluck wins the gently used towel for sweating so hard: On the one hand, it would be easy to write Undead off for simply trying too hard to be confusing and revelatory; it’s clumsy and brash and kind of trite some times. On the other hand, I respect it for sparing no effort in its “attrition by a thousand hooks.” Surely something will catch your interest, and it did mine, at least a few times. The concept is passable, and the characters are fun enough, but the powers are too vague and conceptual and the fights lack interesting choreography from a tactical standpoint… Not to say the climax moments aren’t hype or the world building isn’t potentially fascinating, so I’m torn, but I’m not tired yet and I would gladly give another season a shot.


Sasaki to Pii-chan gets the invisible mop to go along with the surprisingly clean floor: They threw so much at that poor wall, but almost all of it stuck. Isekai x psychics x magic girls x demons x whateverelsecomesnextseason. Conceptual crossover is some pretty fertile soil to be tilling, and I’m in for it. Sasaki and his Piercarlos’ adventures look like they are going places, and mixing these different story archetypes together has an almost grail war mystique to it in that we have no way to gauge just how they will mix and interact until it hits the fan, which has me invested big time.


Mato Seihei no Slave: My most anticipated show this season, and while it didn’t make the top billing I’d hoped for, the adaptation itself is more than adequate, and more importantly, sustainable! I’m super hyped seeing the second season greenlit, as the coming arcs will be great fun and I expect the fandom to grow steadily as the harem expands.


I’m giving a raised eyebrow to Sokushi Cheat ga Saikyou Sugite, Isekai no Yatsura ga Marude Aite ni Naranaindesu ga: This is not what I expected; like at all. From the premise, this comes off as a standard power fantasy isekai- maybe two meta layers deep in subversion, but what I got was an eerie adventure centering around a killer sociopath. I expected to have to do all of the heavy lifting, creatively, in being repulsed by the ease with which the protagonist takes life, but the show comes through and plays it both for shock and laughs. A semi-god with such powers, the inhabitants of both worlds want nothing to do with him due to his dangerous nature and flaunt that to their peril. Add to that the concurrent events and conflicts happening and a world that is rotten in its own ways, and feels more alive with other actors having motivations and even utilizing instant kill countermeasures, for all the good they did. As much as I wanted to hate this for the lazy premise alone, it never ceased to be interesting.


Hime-sama “Goumon” no Jikan desu is on the back of the cereal box representing this complete breakfast: What a comfy, wholesome show. Half comedy and half fluffy slice of life, the constant joke of the princess caving to the most mundane of tortures slowly peels away to reveal more fun characters and… the power of friendship?! Seriously, this was cute in ways I forgot anime could be. A lot of good subtle humor here with background and visual gags like the princess whipping out her cell phone in the prison cell only to get contact info, the princess taking off and putting on the ball and chain as needed, going on torture field trips in plainclothes, and the demon realm altogether resembling modern Japan enough to be absurdly funny. The demon lord lives in a mid-sized apartment with his family and ‘prefers to watch his anime live, as it airs’... Also props to the old knight in the flashbacks who got more character development teasing/raising the princess than most entire casts of modern trash fantasy get. Recommended if you like the heart warmed and the funny bone stroked.


The dank, dimly lit underbelly of the bridge is offered to the troll subs of Pon no Michi: No, the show didn’t win squat- it was not funny or informative enough to elicit more than a few minutes of interest from me, and I don't care about Mahjong, but like flies to fertilizer, the troll community did us a real solid (fiber joke) with some truly heinous subs aping the general motions of a generic ‘learning about a thing in anime’ with some extra spice. If you’re not the type to offend easily and enjoy juvenile humor, check ‘em out.


Kekkon Yubiwa Monogatari gets the buttless chaps for exposing the general shape, but none of the allure of the female form: Contrived. Little better describes every idea and scenario in Kekkon that just made me weep that my rock bottom expectations were further disappointed by this gnarly production. Of the three boobie shows this season, this is easily the most tame, boring, and crudely animated glorious Nippon could muster. Have some self respect.


Boku no Kokoro no Yabai Yatsu 2nd Season is awarded the emo haircut with depth perception issues: I’ve heard some praise this for being some revolutionary new standard in ‘serious’ romance anime, but my praise is for the workmanlike diligence to the production. It never looks ugly, even when it looks cheap, and the ecchi elements took a step back as their relationship took many steps forward to a satisfying season end, if not series end. Solid recommendation and an easy watch.


The ‘peaked in highschool’ football trophy is hereby presented to Chiyu Mahou no Machigatta Tsukaikata: Senjou wo Kakeru Kaifuku Youin: Getting off on the right foot means a lot. This did that, everything wes pretty strong for the premiere, and then… it partied and dropped out of college with 60+k debt, two different baby mommas and a mound of food stamps. One limp ‘battle’ arc later, and prospects are looking shaky as Usato and Rose are constantly in a will they/won’t they with the rest of the pseudo harem. Wasted potential, but not unwatchable; just un-recommendable.


Shin no Nakama ja Nai to Yuusha no Party wo Oidasareta node, Henkyou de Slow Life suru Koto ni Shimashita 2nd and Ishura all receive participation trophies: If this season were a good deal worse, I might have been able to hang on to some of these, but as is, these are the slow runners who simply fell off… but at least their parents got some good pictures.


Nozomanu Fushi no Boukensha gets its own pokedex entry: For how bog standard it is, at least MC evolved to vampire in the single season we got. The story appears effectively over unless there are higher forms of vampire yet unrevealed. As for the journey itself, the most interesting portion of these zero to hero stories is the vulnerable beginning portion and that kept true here… for about an episode. Aside from that is just the typical pseudo harem and leveling up at the guild- nothing new here, but a decent watch.


Akuyaku Reijou Level 99: Watashi wa Ura-Boss desu ga Maou dewa Arimasen is awarded the ‘autistic otome game’ side story dlc: A novel premise with a isekaied girl grinding to be OP (as if otome visual novels have RPG mechanics) and entering hero academy as the side villain character with no desire to be a villain, but everyone keeps putting it on her. The cutest part was main girl slowly realizing she was in love with the one boy who wasn’t afraid of her. With a generic fantasy plot about defeating the demon king and a foil cast dumb enough to come straight out of Shield Hero, Level 99 is as cookie cutter as it gets in girls' power fantasy.


Yuuki Bakuhatsu Bang Bravern and BUCCHIGIRI?! get the (american football) slap on the butt for being the gayest not-gay shows I’ve seen in a long while. Robots, school delinquents, fighting… and bromance? Neither overtly queer or exploring roMANce with any depth, but heavily coded in humor stylings with masculine innuendoes, big heart eyes from getting punched, and silly hijinks. Neither held my interest, though.


Mahou Shoujo ni Akogarete goes into the paper bag: Strange, strange how this show got so popular- it’s just fetish bait and sexual posturing of magical girls via the lens of BDSM. I’m certain there are actual adult titles that serve the same purpose and themes without the limitations of broadcasting standards, so why this? It didn’t resonate with me, but I did want to see if they made something worthwhile of the crumbs of story it had… they did not. Best not discussed in public.


A pretty strong season by my count, lets see if this next one (12+ sequels!) can top it!